
DANCING ROMANA

DANCING ROMANA
Listening to Survival of the Fittest, Klein notes that the TARDIS translates everything into German for her.
What’s interesting is that she is English born, and while she did work in Germany for the Reich (Klein’s Story), she is only invited from Cambridge to Germany in order to try to figure out what the TARDIS is. Only for around a year.
Then Eight tricks her / convinces her into going back to WW2 to find ‘The Doctor’ to work the TARDIS, where she manages to insert herself into the Party, and ends up at Colditz, for maybe another year before Seven finally shows up. And then she screws up, Seven survives, and the Germans lose the war.
So she flees from Germany, back to England, then to Kenya. With white, British women. Albeit women with Nazi leanings. Listening to the BBC World Service. (A Thousand Tiny Wings).
So… why is Klein predisposed to German? I don’t know. She’s from ~1965 German-ruled Britain. But… I don’t know.
It sits oddly with me. Even if Klein were 40, she’d have been 20 when the Germans won the war. That’s 20 years of being in England. Her father was German, yes. But, I mean, that’s 20 years of English. And, I would expect it would take time for the Reich to force German on Britain. Years of language study, and maybe a decade of fluency.
But then another 10-20 years of immersion in English.
I like it. I think it fits, that Klein is as dedicated to the Reich as anyone (Colditz, The Architects of History), but at the same time, I wonder about language retention. I wonder about language propagation of the Third Reich if they won. And I wonder about Klein.
This is all rather moot, seeing as - SPOILERS - Klein’s paradox is resolved by her merging with the Klein from the Prime Universe, and having her memories of her anomaly erased. But it’s interesting. And Survival of the Fittest implies that there were a few adventures after A Thousand Tiny Wings.
I have Klein feels and questions and musings because I love Klein. And no one but tumblr can understand my niche.
I wasn’t endorsing it, I was quoting it. But there’s a difference between optimism and naïvety, which I think, out of context, the quote acknowledges: that naïve optimism can be as devastating as cynicism. Which is why I posted it. (As well as being a pithy, scathing questioning of the Doctor’s sometimes-questionable sometimes-absolutist morality, which is always interesting. And something the Klein trilogy handled extraordinarily well).
I am aware that the connotations of it, coming from the Oberst of the Galactic Reich - from Klein - are dangerous, and rooted in a much deeper and darker ideology [that led her to creating the Galactic Reich]. But to simply wave this quote away as “cynicism” as you have is naïve (and ignorant). Is it worth putting those you love in increasing danger, sacrificing them or teaching them to sacrifice themselves, in order to save everyone?
Is saving “everybody” (every last person) worth losing your best friend, your family member(s), your home planet? Is it really optimistic to sacrifice the one for the many? Where does it stop?
To move this away from life vs. death, for a moment: the Doctor thought he was saving Lucie from heartbreak by not telling her that her Auntie Pat was not actually her Auntie Pat, but a Zygon in disguise. Was saving her a couple years of delusion worth losing her trust, her love, and her influence? Was it worth losing her in order to save Lucie, to save the Web of Time, and to save himself the pain, temporarily?
What was optimistic about lying in order to “save everyone”? And is the short-term optimism worth the pain, doubt, and sacrifice that comes later?
I’m not asking for answers, I’m simply pointing out that by dichotomising the Doctor’s and Klein’s ideologies as optimism and cynicism, respectively, shows a lack of critical thought about these characters and their morality & ideologies. If anything, it discourages critical thought by Othering anyone who thinks differently from the Doctor.
And, ironically, you and Klein may be on the same page re: rhetorical style. (Before you jump at me, thinking I called you a Nazi: rhetorical style =/= ideology).
A one time thing.


Found this while puttering around on SoundCloud.
Jamie Robertson is a composer for Big Finish, and one of the pieces of music he wrote was a theme for the Eighth Doctor. You know how Ten has “The Doctor Forever” and Eleven has “I am the Doctor”, this is Eight’s version. :)
I think it’s gorgeous, and perfect for Eight.
I feel like all I want to do is write dramatic, climactic moments for Eight right now that go to this.
(via janeturenne)
Zagreus sits inside your head, / Zagreus lives among the dead, / Zagreus sees you in your bed, / And eats you when you’re sleeping.
Zagreus at the end of days, / Zagreus lies all other ways, / Zagreus comes when time’s a maze, / And all of history is weeping.
Zagreus taking time apart; / Zagreus fears the hero heart; / Zagreus seeks the final part: / the reward that he is reaping.
Zagreus sings when all is lost, / Zagreus takes all those he’s crossed, / Zagreus wins and all is cost; / the hero’s hearts he’s keeping.
Zagreus seeks the hero’s ship; / Zagreus needs the web to rip; / Zagreus sups time at a drip, / and life aside, he’s sweeping.
Zagreus waits at the end of the world / For Zagreus is the end of the world; / His time is the end of time, / And his moment: time’s undoing.
"(Source: radtothemax)
…
well then.
i wish i knew how to gif this because i mean hot damn
This is a thing the BBC had created
The actual BBC had this made
Just needed to clarify that
omgomgomgomg whatisthiseven and whyisthissoawesome?
(Source: thebraxiatelcollection, via firebirdy)